Title (click to open) | Date | Note |
En Croisade | February 1961 |
Published version - The Harvard Advocate, Volume 144, #3 Winner of first annual Harvard Dramatic Club/Harvard Advocate Playwriting Contest |
How I Worked It With The Bush | December 1960 |
First student-written play ever produced at the Loeb Drama Center, Harvard
University Loeb Experimental Theatre Directed by author |
Bird Lives! | 1961 | |
The King's Child, The King's Child, Ah!" | May 1962 | Published version - The Harvard Advocate, Volume 96, #2 |
The Bolts and Bars to Go | 1962 | Original typescript version |
The Bolts and Bars to Go | Fall 1962 | Published version - Mosaic, Volume 3, #3 |
The Laocoon Nobody Knows | 1962 | Xerox of original typescript |
The Laocoon Nobody Knows | November 1962 | Published version - The Harvard Advocate, Volume 97, #1 |
The Conversion of St. Pelagia the Harlot | 1962, May 1963 |
Xerox of original typescript, Opera Libretto, Music by Ronald Perera Produced by Lowell House Opera at Agassiz Theatre Harvard, May 1963 |
The Ice-Field of the Absolute Encounter | 1963 | Original typescript version |
The Ice-Field of the Absolute Encounter | October 30, 1965 | Published version - Harvard Drama Review, Volume 3, #1 |
The Plotters Against Love | 1963-1964 | |
Dolomite on a Grey Visit | 1964-1965 | NOTE: Original manuscript in poor condition. |
Indians Are the Empire's Future | 1964, 1967 | NOTE: Original manuscript in poor condition. |
The Conjuror Play | 1968 |
Xerox of original typescript NOTE: Original manuscript in poor condition. |
The Conjuror Play | Spring 1968 | Published version - Mosaic, Volume 9, #1 |
The Satan Play | 1968 | |
Honeymoon a Trois | 1967, 1972 | A French farce |
The Reason of Timmy's Playing | 1971 | |
Lost in the Process | 1972 | NOTE: Original manuscript in poor condition. |
Theatre on Theatre | 1972 | NOTE: Original manuscript in poor condition. |